The Fine Art of the Inflight Entertainment Guide

At our London headquarters, Spafax publishes inflight entertainment (IFE) guides for numerous airline brands, and it’s always good to receive positive feedback following market research. Despite increasingly sophisticated onscreen menus for the month’s movies, TV and audio offer, demand for print guides continues to be strong. It seems counter intuitive, in this day of touchscreen technology and interactive websites, but the power of print remains strong and research shows its what passengers want.

A recent client survey revealed younger passengers, normally considered the natural consumers of digital content, read IFE guides most widely. Another client, which presents its entertainment on the back pages of its inflight magazine, is planning to separate the two and invest in a dedicated print guide. Ironically, this has something to do with the increase in the number of video and audio options now available to passengers. More choice often leads to confusion (famously called “the tyranny of choice”); a well-done guide can cut through the confusion while at the same time highlighting the variety of options available.

The formula for success is a combination of fun and functionality. An IFE guide’s purpose is to market the variety of entertainment but in order to drive traffic to the screen; it has to be more than a menu that offers clear signposting and useful information. Passengers engage when the design is contemporary, the imagery celebrity studded, and the tone of voice lively. Alongside functional but pithy synopses, they’re inspired by authoritative recommendations, star interviews, insider snippets – that is, everything the average passenger already recognizes from the world of entertainment media.

We have recently won an account with a major carrier, and the client wants to showcase its vast selection of entertainment offerings but also wants their passengers to find the entertainment properly. So what did they do? They decided to increase the pages of their previous IFE guide by introducing a full news and features section before the comprehensive listings. Customers appreciate the editorial values of an entertainment magazine and, in turn, this enhances perception of the clients’ personality, and showcases their dedication to providing quality inflight entertainment. (All inflight entertainment content is an act of curation, after all.)

Creative fun is not a service add-on but is fundamental to influential communication. The listings in a guide seem straightforward. But they are a call-to-action. And play a large role in the overall inflight experience.

Lessons Gleaned from the International Content Summit

We in the content industry tend to go to a lot of conferences. And there are a lot of conferences about content. With the vast changes in technology, everyone in the field wants to know the ins and outs of content and content strategy to better service their client needs. That’s perfectly understandable. But it also leads to something we’re starting to call The Conference Bubble: if you stay inside of it for too long, you tend to stop experiencing the outside world. The real world. And that disconnect is not good for content providers and it’s especially not good for their clients. It’s disastrous. In the end, the conference was really about a big idea and that was: quality over quantity. It’s something we preach at Spafax and it’s nice to know that after a few years of everyone trying to parcel out content in the shiniest baubles

At the recent International Content Summit, held in London, we were lucky enough to hear some compelling stories from the trenches (there’s more on the “big idea” from the conference here, at Sparksheet).

People Still Like Print

This is perhaps self-evident but you wouldn’t know it from The Conference Bubble. At least conferences that are about “content” or “content marketing.” The irony, of course, is that many of the speakers at these conferences are published authors pushing their books. Irony, another inconvenient truth.

Richard Cope, Global Head of Insight at Mintel, called print a status symbol. He said research has shown that “we still need to carry badges and emblems of taste” and that print fulfils that function. (This thinking went into the relaunch of Air Canada’s enRoute – we wanted to make it “printier” and also speaks to the sumptuous feel of our print media for Bombardier Business Aircraft, among others). An iPad may say something about us but a magazine says something specific. And then he put numbers to something we all understand intuitively: 42% of people consume print for “long journeys” (this is a UK study so take that to mean train trips) and 71% would rather read print than online. This stat was one of the most retweeted from the conference. For obvious reasons. Reading is a luxury, or should be qualified as such, because time is the new luxury, and it is relatively accessible, just like reading. Print might be on the way to niche status but it is an aspirational niche, and anything aspirational is also marketable.

These insights jibe closely to what we at Spafax have been saying for a while now: print is still important and a key component of a multi-channel communication strategy. Speaking of multi-channels….

What Hath the Touchscreen Wrought?

Nothing. It’s great. The Telegraph’s Mark Challinor even showed off the “nightmode” button on their app – a smart idea, brought on by user analytics (that is, a good number of their subscribers read the newspaper on their iPad in bed).  In good news for people who like to make money, the Telegraph’s studies have also found that readers like ads because it gives the newspaper app “a premium feel.” This goes back to the great thing about ads in print: readers have long found that ads are “content” as opposed to something they can skip over, a fact that has long explained the mammoth sizes (and success) of the fall fashion books. And Richard Cope asked a question that lingered long after he had asked it: Is the touch screen dulling our sense of touch or reawakening it? I’ll be thinking about that one for a long time.

One Brand, One Voice

Ruth Spencer, Head of Loyalty, for Boots (the largest drugstore chain in the UK and the home of one of the world’s great integrated content programs) affirmed that her company is “absolutely a content company.” And with a wide-ranging content strategy that embraces almost every form of media she insisted that her content must: be consistent, get integration right and play to each channels’ strengths. Meaning, quite often, one photo shoot for print, digital, in-store, you name it. What this says, really, is no silos, something I’ve touched on earlier. By employing a brand strategy without silos, Boots wins. And they do. Their program is something to behold.

Customer Loyalty

Myf Ryan, GM Marketing for Westfield UK, a large shopping mall developer, spoke of launching an enormous new mall in a relatively depressed section of East End London during the current economic climate. Westfield did this through the power of storytelling. That is, they gave a shopping mall that didn’t exist a backstory and then sold that story (as opposed to selling a mall) with stunning success. But more importantly, Ryan realized that any audience is “not channel loyal, they are content loyal” – so her story was consistent over multiple channels. More importantly, she said “Don’t tell a story about the brand, tell compelling stories that embody your brand” – something any good content marketer tries to get their clients to understand every day. The best brand stories are the ones the audience wants to be a part of, after all. No one really cares about a brand. Just what it can do for them. Brands that understand that are successful.

All great examples of good content done well. But more than that, all great examples of smart strategy in the service of great content working toward the same goal. It is really what all content marketing should strive for.

Spafax Announces Management Changes for 2009

(London, February 26th, 2009)
Niall McBain, CEO of Spafax, would like to announce a series of strategic changes to the company’s management structure.

Changes in Spafax Inflight Entertainment

After 12 years of exceptional service and dedicated leadership as President, Entertainment Worldwide, Pam Ryan will be retiring from Spafax in order to pursue other lifelong interests. Her departure from day-to-day operations at Spafax will take place in two stages that will see her carry out her current front line role until October, 2009 and then move to a management advisory role until February, 2010.

Pam’s influence on Spafax and her outstanding industry leadership cannot be overstated. Over the past 30 years, she has led countless innovations that have changed the face of inflight entertainment and the airline customer experience for clients around the world. Please join us in thanking her for her contribution to Spafax and to the industry – and congratulating her as she embarks upon this new chapter of her life.

In addition to Pam’s role change coming into effect, a number of other management changes are taking place at Spafax.

Spafax to launch Spafax Interactive, a new digital initiative

Building on our considerable success in the areas of digital media, publishing and interactive entertainment, I’m pleased to announce the launch of Spafax Interactive. The division will be headed by Raymond Girard and will help the group make full use of digital content opportunities to better help our clients connect with their customers through content and deliver new revenue opportunities.

Raymond, currently VP Media & Publishing, will immediately be taking on the role of President, Spafax Interactive. He will also retain responsibility for Spafax Chile and growing our brand in Latin America.

Please join me in wishing him the best of luck in this strategic new role.

Spafax Canada & UK Managing Directors are appointed to the Board of Directors

Please join me in congratulating Katrin Kopvillem and Ann Willis on their appointment to the Spafax Board of Directors.

Katrin is currently Managing Director Spafax Canada, responsible for our rapidly growing roster of clients in Canada and the United States.

As Managing Director Entertainment, Ann joins the board with responsibility for Spafax UK & Dubai. She will be undertaking the integration of our UK content, media and revenue generation businesses.

These Board appointments are a reflection of the growing importance of our sales / revenue generation services, publishing and the Gulf region to our business.

New VP for Spafax USA

Finally, I would ask you all to join me in welcoming Al St. Germain to Spafax as Vice President, Spafax USA.

Al joins us in March with an impressive professional background in the airline sector having been Global Director, Airline Practice at Landor associates (also a WPP company). Previous to this, Al held roles such as Manager, Customer Strategy at United Airlines and Brand Manager at Delta Air Lines.

Al also has experience with Spafax from past mutual projects and I am sure will be quick to leap into the challenges of the market today. After working with Pam Ryan for a 6 month transitional period, Al will take full responsibility in leading the Spafax California office in October of 2009.

AIRMEDIA and Spafax Now Offer the World’s Advertisers Unprecedented Access to the Chinese Traveling Consumer

BEIJING & LONDON, June 26th , 2008 – Niall McBain, CEO of Spafax, a WPP Group PLC company specializing in inflight media management and NAME, TITLE of AIRMEDIA, China’s premiere airport and inflight advertising network, proudly announce the launch of a ground-breaking partnership to offer global brands unprecedented access to the Chinese “transumer” – the consumer in transit.

The AIRMEDIA airport network of large format flat-panel TVs and inflight screens reaches a market of 550 million people in China’s 56 largest airports and over 300 million in the air onboard China’s 9 premiere carriers, including Air China, Southern Air and Eastern Air.

Our airport advertising network in China is already the size of the largest networks in Europe, and it’s growing daily” says Mr. NAME of AIRMEDIA “That audience, coupled with Spafax’s expertise in connecting global brands with the travelling public, gives advertisers the most effective means of targeting high net worth Chinese consumers”.

Spafax is the world leader in managing “the Journey Cycle” – offering advertisers unprecedented means of connecting with consumers at every touchpoint of their journey by air. “This partnership now allows us to connect with the most attractive demographic of consumers in the actual airport– complementing our considerable inflight reach.” says Mr. McBain of Spafax. “With AIRMEDIA’s dense network of screens located throughout the airports of the fastest growing market in the world, we can offer global brands unprecedented access to this incredibly lucrative market”.

The agreement provides Spafax with exclusive global rights to represent AIRMEDIA’s products outside of China with immediate effect.

ABOUT AIRMEDIA – AirMedia Group Inc. AMCN operates the largest digital media network in China dedicated to air travel advertising. AirMedia has contractual concession rights to operate digital TV screens in 53 airports, including 29 out of the 30 largest airports in China, and has contractual concession rights to place its programs on the routes operated by 9 airlines, including the three largest airlines in China. In addition, AirMedia also has contractual concession rights to operate TV-attached digital frames, ranging from 46 to 50 inches, and large-size stand-alone digital frames, ranging from 63 to 70 inches, in several major airports. AirMedia also offers advertisers other media platforms in airports, such as 360-degree LED displays, mega display screens, and shuttle bus displays etc. For more information about AirMedia, please visit http://www.airmedia.net.cn

MEDIA ENQUIRIES

SPAFAX
Niall McBain, CEO
Email: nmcbain@spafax.com
Tel: +44 (0)207 906 2080

ADVERTISING SALES ENQUIRIES

SPAFAX London
Nicholas Hopkins, Director of Sales
Email: nhopkins@spafax.com
Tel: +44 (0)207 906 1983

Youmna Tannous has Joined Spafax as IFE Manager

Youmna Tannous has joined Spafax as IFE Manager, Dubai.  Youmna’s career has encompassed various aspects of inflight entertainment over the last 5 years, and she has also worked in front of the camera as a presenter on Arabic TV and inflight!

Youmna will be responsible for acquiring and scheduling all Arabic and Indian content for Spafax, and will have day-to-day programming responsibility on Royal Jordanian Airlines for all content.

For further information, contact:

Ann Willis
awillis@spafax.com
/ +44 207 906-1965

EDITORS’ NOTES:

Spafax Airline Network (www.spafax.com) is a recognized leader in inflight entertainment & passenger communications, providing branded content through Movies, TV, audio & interactive entertainment and publishing, marketing, and media services to over 60 airlines worldwide. Spafax has a global staff of 100 employees located in London, Montreal, Toronto, Newport Beach Ca, Santiago de Chile, Dubai, Singapore and Kuala Lumpur. Spafax is a wholly owned subsidiary of the WPP Group plc.

WPP (www.wpp.com) is one of the world’s leading communications services groups, providing national, multinational and global clients with advertising; media investment management; information & consultancy; public relations & public affairs; branding & identity,  healthcare and specialist communications. Besides Spafax, WPP’s worldwide companies include J. Walter Thompson, Ogilvy & Mather Worldwide, Young & Rubicam, Red Cell, MindShare, Mediaedge:cia,  OgilvyOne, Wunderman, Hill & Knowlton, Ogilvy Public Relations, Burson-Marsteller, Cohn & Wolfe, CommonHealth, Sudler & Hennessey, Enterprise IG and Landor, among others.

Spafax is in the business of making connections. While you’re here, you should check out our services page. Find out more about us on our about page. Looking for something a bit more specific? Browse through our awesome blog Sparksheet. Disclaimer: The opinions expressed in the blog do not necessarrily reflect the opinions of Spafax.